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“Arts accessibility is a small phrase,” says artist and researcher Natalie Callahan, “but it is really big and [can mean] a lot of different things.” Callahan is an artist and works at the Carnegie Museum of Art, working at these intersections of arts, accessibility, and education, but she also researches arts accessibility, particularly in vulnerable communities. Fresh off her Fulbright-Nehru fellowship on the Banaras weaver community, Callahan is quick to point out that accessibility is not a single issue; it is layered, intersectional, and deeply tied to broader struggles for equity and justice. “There’s two parts to it,” she explains. “There’s access to the arts, and there’s access for artists.”


Access to the arts means ensuring that people can experience and participate in cultural life—whether that’s asking if there’s public transportation to the gallery, if tickets are affordable, if someone in a wheelchair can navigate the space, or if the signage reflects the languages and literacy levels of the community. But access for artists is just as important. This includes affordable arts education, financial support for materials, and the time it takes to develop a craft. Natalie recalls her own experience: “Even in high school, I knew I wouldn’t be able to afford paint outside of school… that’s why I picked up graphite as the thing I wanted to pursue because in terms of materials, it is one of the most affordable things because all you need to buy are pencils, erasers, and paper.”


The same questions of access resonate powerfully in the world of research. Too often, academic work is locked in ivory towers; technically complex, paywalled, and disconnected from the communities it seeks to serve. In climate science especially, research is published for specialists rather than the public, leaving local residents without meaningful opportunities to engage or contribute. This dynamic not only limits understanding but reinforces systems where outside experts are seen as the sole “knowledge holders”, sidelining the lived expertise of communities.


Arts accessibility and research accessibility are not separate struggles; they are deeply intertwined in the work of climate justice. Climate justice recognizes that the climate crisis is not only an environmental issue, it is a social one, deeply shaped by historical inequities in power, wealth, and representation. When art and research are inaccessible, these inequities deepen: the people most affected by climate change are denied the tools to tell their stories, interpret scientific data, and shape local responses. Contributing to both arts and research accessibility is, therefore, not just about fairness—it is about dismantling barriers that keep marginalized voices from influencing climate policy and action. Accessible art transforms climate data into emotional, relatable narratives that spark dialogue and mobilize communities. Accessible research ensures that those same communities can not only understand the science but also shape it, grounding climate solutions in lived experience.

The arts can bridge the gap between data and lived experience, between technical reports and kitchen table conversations. Visual storytelling, public murals, and community-led art projects transform research findings into accessible, resonant narratives. They invite participation, foster dialogue, and challenge the systems that keep both art and knowledge out of reach for many. As Callahan puts it, accessibility is not just about infrastructure, it’s about reimagining who gets to participate in shaping the future.

 
 
 

By Lalitha Shan

“We can live without food for some time,” one woman told me, “but how can we live without water?”

In the Western Ghats of Tamil Nadu, this isn’t a rhetorical question; it’s a daily reality. In India’s southernmost state, where just 2.5% of the country's freshwater is available, tribal communities like the Irula live in a fragile balance with a disappearing resource. Water scarcity has long been part of life here, but climate change is making it worse. Groundwater levels are dropping, rainfall is unpredictable, and what water remains is increasingly spoken for by powerful industries.

Women collecting water for the next few days, anticipating a shortage or shutoff
Women collecting water for the next few days, anticipating a shortage or shutoff

In 2024, I spent time in the Karamadai block of Coimbatore District, visiting 14 tribal villages to understand how these changes affect women. It became clear that the most intimate aspects of their lives, especially menstrual health, are directly impacted. For menstruating women, the stakes are even higher. Nearly 30% of the women I spoke to said they couldn’t manage their periods hygienically because of limited water. The roots of this scarcity are complex. Large-scale agriculture and the ITC paper mill dominate groundwater use in the region, leaving domestic needs behind.


“When it comes to drinking water,” one woman in Kaaliyur said, “we have to sacrifice our work to fetch water... What do you do if there is no water for drinking? It is burdensome. We have to lose our work.”

Government tanks release water at unpredictable hours, forcing women to abandon paid work just to fetch enough for cooking and drinking. With the village’s six government borewells reduced to just one functional source, women often turn to private farms for water, where they face further restrictions.


“Even from the farms, we have to fetch water before six in the evening; otherwise, they switch on the electric fence,” one explained.

Another added, “They would say, ‘How could you fetch water from here when we ourselves do not have enough water?’ But we fetched water in spite of their scoldings.”


Others said they had to “sneak” water when no one was looking. Still, the supply was “inadequate” to manage menstruation with comfort or safety.


The Intergovernmental Panel on Climate Change estimates that by 2050, nearly 40% of India’s population will face extreme water scarcity. Women tend to experience the adverse impacts of climate change differently then men, especially in regards to sexual and reproductive health. However, menstrual health is often under-prioritized in climate policies for adapting to and mitigating climate change. But periods don't stop just because the world in on fire; women, like the women in the Western Ghats, often need to adapt and find different ways to manage their reproductive and menstrual health amidst climate change.


These stories reveal a system that prioritizes industrial use and vague conservation efforts over the daily needs of women. Even well-intentioned water governance programs often ignore menstrual health entirely. Yet if we’re serious about climate adaptation and resilience, we cannot afford to overlook the women carrying the weight of this crisis, literally, on their heads, in buckets, across long distances. Climate change isn’t some distant threat for them; it’s here, bleeding into every part of life.

 
 
 

ABOUT US >

Brushes for a Better Planet is a global initiative that brings artists, researchers, and communities together to co-create visual stories about climate justice. Through collaborative workshops, hackathons, and exhibitions, we transform scientific research into accessible, emotional, and community-rooted narratives. We believe art is not just a tool for communication, but a powerful form of inquiry and activism. By centering diverse voices and lived experiences, we aim to make climate knowledge inclusive, actionable, and grounded in the realities of the communities most impacted.

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